|Clive Hicks-Jenkins vignette, |
a sweet owl for Glimmerglass
I posted this one last week and then took it down after half an hour, dithering over whether it was too much about my books, my books, my books. But I've decided that if you come here, you know I write books. So now the post is up again for the weekend. If that does not please you, fly on to posts about writing and music, the passing of Lucius Shephard, green men in cathedrals, the word police, Catherwood in Entertainment Weekly, and much more...As I haven't talked much about my books lately, I'm cobbling together a post that will link to some of Clive Hicks-Jenkins's recent work for the fall novel, Glimmerglass, and update links and news a bit about my three 2012 books.
A Death at the White Camellia Orphanage
Sample review clip: It is seldom that a novel from a small university press can compete with the offerings from the big houses in New York. A Death at the White Camellia Orphanage may be the best novel this reviewer has read this year. Its quality and story-telling remind one of The Adventures of Roderick Random, Great Expectation and The Grapes of Wrath among others. The winner of the 2012 "Ferrol Sams Award for Fiction," A Death has the potential to become a classic American picaresque novel. / One wishes, however, that this novel will not get shunted into the regional box and be seen only as a Southern novel. Its themes and the power of its language, the forceful flow of its storyline and its characters have earned the right to a broad national audience. 30 July 2012 John M. Formy-Duval at About.com
Glimmerglass (September, 2014)
Clive Hicks-Jenkins on twinship with his work for Glimmerglass here.
"Marly and Me" post from Clive here.
Glimmerglass decorations in progress here.
More Glimmerglass vignettes here.
Excerpt from a blurb by Jeffery Beam: Whether she’s writing historical fiction or fantasy, her characters leave one breathless. Her ability to describe a person, a place, or the psychological underpinnings of a plot or individual, ranks with the great novelists, the highest literature. A tale of love and intrigue, mystery and pathology, Glimmerglass’ appeal is the warmth and charge of a tale told round a fire fused by Hitchcockian anxiety, empathy, and relief. Nature, architecture, dread, thrill, sexual dilemma, and murder echo against Youmans’ gorgeous prose and terrifying romance, which glides like a serpent―without a single extraneous or boring word.
And here's a little focus on Thaliad, borrowed from Midori Snyder's wonderful blog, In the Labyrinth:
Marly Youmans' Thaliad offers a healing balm to the swath of nihilistic post-apocalyptic fiction... Told in free verse reminiscent of heroic epics (Homer meets Gerald Manley Hopkins), Thaliad recounts the aftermath of a fiery apocalypse and the perlious journey of a band of children led by a girl whose prophetic visions guide them to a sanctuary on the edge of a lake. Here, they confront the challenges of re-creating the world – a world illuminated by hope and love.
That somersaulted in a beam of sun,
That changed the spiderwebs to something rich,
That kissed the surfaces of Glimmerglass
And turned its scalloped border into gold,
That moved across the air as if alive,
The landscape's bright epithalamion,
The simple golden wedding of the world."
The crossroads, grand climateric of blood,
Jar of womb-shattered, the rib-comb unteethed,
Janglings above corpse couch, red butcher bed,
The bronze swords wading in a swamp of flesh
Like toddlers splashing in a muddy slough,
Hell-scathers scraping blade along the bone,
Blood-spree, blood-spore rose red on snow-white yard....
...To the hour when Cain is ever slaying
Abel in the dark eternal backward."
Once shone, auroral work of Tiffany;
The star face brought a lightening of flesh
To Thalia until the piercing rays
Transformed her body into starriness,
And rain of light made reign of light within,
Till she was drowned and nameless in its flood,
And there with trembling let the angel speak..."
|And I shouldn't forget|
The Throne of Psyche, 2011