cover copy, illuminator's words, links, videos
“'Axe-grinding and message spoil what you make':
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Lists at Year's End
--poet Robbi Nester, The Hollins Critic, October 2020
The voice, the action, and the ethos of the novel are all from the perspective of not just Charis’s faith, but her view of the world, a difficult thing to capture. It is tricky. since no one at the time would write a first person account with so much dialogue, detail, or action. The idea is to get close to the mentality of The Pilgrim’s Progress, the symbolic world, but not the form or the language. Well, to some degree, the language. Youmans borrows period language, wonderful archaic words, many of which we should return to use. Nabbity, nattle, naughty-pack, nazzle, niffle-naffle, nightwalking, nittle. The novel ends with a twelve-page glossary that I found readable and pleasurable on its own. And I do not remember one time when I needed to turn to the glossary, since the vocabulary was always clear enough in context (e.g., ruttled up above). The glossary is a bonus.
--"The Enchanted Novels of Sigrid Undset and Marly Youmans" at Wuthering Expectations 15 June 2020
Charis means grace and this book is very much about the movement of grace in a fallen world of sin. I was surprised at how much the novel’s worldview was imbued with faith— you don’t often find that kind of faith— simple, unalloyed with skepticism and untainted with hypocrisy— in contemporary literary novels. What’s more, in addition to the expected faith that had the familiar “Puritan” strains of fascination with sin, the devil, witchcraft, and hellfire; Charis also has a faith that is more familiar to me: one that is infused with a deep awareness of grace and mercy of a loving God. Certainly Charis is aware of those in her community who emphasize sin and the presence of the devil, but her personal vision of God is as a God of wonders, a God of love and mercy. And much of the drama and beauty of the novel is watching her navigate between those different worldviews (the Satan-haunted and the grace-haunted) which are both present not only in Charis herself but also in her community.
--Melanie Bettinelli, an extended review at The Wine-Dark Sea 5 June 2020
What really makes this novel good is the interior life of the protagonist. She's an interesting character, and with a very rich, beautiful interior monologue... There is a sensitivity of language; the language is beautiful without being overwrought... It's lovely, it's captivating, it's beautiful.
--Melanie Bettinelli, Raising the Betts podcast #051 (begins 38:25 mark), StarQuest Media Network sqpn.com, 26 May 2020
--Greg Langley, Young heroine in 'Charis' will captivate readers, The Baton Rouge Advocate, 23 May 2020
Marly Youmans, who spent most of her girlhood in Cullowhee and much of her academic career in Chapel Hill, is a hard writer to pigeonhole.
A poet, she’s also written a shelf of novels, in a variety of genres: historical (Her 2001 book “The Wolf Pit,” won the Michael Shaara Award for Civil War fiction), supernatural fantasy (“Glimmerglass”) and Southern Gothic (“A Death at the White Camellia Orphanage”)...
Youmans has wound up writing a poem in prose, with subtle symbolism and delicious wordplay. Like a later New Englander, Emily Dickinson, she tells the truth but tells it slant.
--Ben Steelman, "In NC writer’s new novel, the woods are dark, deep and dangerous," The Wilmington StarNews, 16 May 2020
Ms. Youmans and [Ron] Hansen share a deep commitment to moral questions not just pondered and wondered, but acted on even at the moment of mortal peril. Charis in the World of Wonders is a novel which demands real choices of the characters, in which wonder is not just a glistening opiate, but a sublime, dangerous glimpse of reality that demands a moral response.
--Cat Hodge, Darwin Catholic blog, 15 May 2020
Selected praise
from writers and artists on social media
Makoto Fujimura, nihongan painter, cultural catalyst, writer: Ok. Cannot help to tweet. “Charis”, Marly’s next novel coming out, is one of the most beautifully wrought writings of the “burning bushes” all about us that I’ve encountered in recent times. Absolutely mesmerizing novel. #kintsuginovel #culturecare
Jane Greer, poet and editor: This new novel is unlike anything I’ve ever read—and the best novel I’ve read in ages. It’s set in Puritan New England and uses gorgeous language to tell a gentle but riveting story. I stayed up until 3:30 this morning to finish it.
Pete Candler, writer, photographer, filmmaker: Y’all @marlyyoumans is an absolute star. I mean she’s a fantastic poet and novelist but she’s also a gem of a human. Order her new novel, “Charis in the World of Wonders.” It’s what we all need. [Well, I don't deserve that shiny personal compliment, but I'm glad he likes Charis! --MY]
Charis + pandemic post from poet and novelist Amit Majmudar on twitter: congrats to my fellow novelist-poet, @marlyyoumans, on the launch of her new novel — no one gets to leave quarantine unless and until they’ve ordered it!
Shann Ray, poet and writer: ...a novel by my friend Marly Youmans that is astounding, a deep true read, and a book of abundance, grace, and stunning beauty: Charis in the World of Wonders. For a safe haven in the storm, Charis will see you through!
Sebastien Doubinsky @sebdoubinsky: I absolutely love @marlyyoumans's universe. If you don't know it yet, you should really give it a try. Beautiful, magical and thought-provoking. 9 June 2020
Chris Phillips, writer @MobyProf: A bit of a sequel to my tweet a couple of weeks ago about my latest book-buying: @marlyyoumans’ Charis in the World of Wonders is THAT GOOD. The pacing is masterful, the world is pungent & tangible, & Charis’s inner life is exquisitely done. Thank you, Marly! 8 June 2020
Patricia Heaton, actor @PatriciaHeaton: I’m loving your book "Charis in the World of Wonders!" What a unique voice you've created! 4 June 2020
Mary Bullington, painter and poet: Last night, I started Marly Youmans’ new novel, “Charis in the World of Wonders" and was 63 pages deep when I made myself turn off the light. In midst of an Indian attack on her tiny Puritan settlement in the spring of 1690, a teenager begins to tell her life story, even as she makes a harrowing escape into the forest with her 7-year-old sister. Charis's lens on the events and people of her time is devastating. At once innocent and clear-sighted, she speaks to all that she sees, imagines, and feels. Parts read as though Goya’s Disasters of War --“This I saw”-- were told not by a mature and cynical court painter, but by a devout, well educated young woman who has no choice but to observe and participate. 9 June 2020
Jane Zwart, poet: Replying to @kenyonreview I'm reading @marlyyoumans: Charis in the World of Wonders. Not even a hundred pages in but already entranced. May 31, 2020
Midori Snyder, novelist: I recommend highly reading Marly Youman's most recent novel, "Charis in the World of Wonders." Stunning novel . It would be very instructional for Christian writers to read and see how faith and narrative combine together in a celebration of both. 18 June 2020
H.S. Cross, novelist: Just signed off on my review of @marlyyoumans beautiful CHARIS IN THE WORLD OF WONDERS for @Livng_Church. This book should be getting more attention @IgnatiusPress Jul 17, 2020
Leonard D. Greco, Jr., artist: ...the images you produce are as vital as those produced on an easel. You are it seems a painter, a colorist, at heart, the line so beautifully blurred. 23 July 2020
Marly Youmans' historic novel 'Charis in the World of Wonders' chronicles the journey of its protagonist on her horseback flight from destruction to sanctuary and from sanctuary to an unexpected madness that had me gnawing my knuckles as I read.
Marly is a peerless writer and at Ignatius she has an editor and team doing everything to ensure that the book's jacket and the illustrations within do justice to her illuminating narrative. Not for the first time with Marly I'm steeped in a world of early American folk art, of embroidered samplers and nature not yet crowded out by man. At its heart, Charis on her courageous Hortus, who must carry her to safety and a new life. The image here is just a tiny corner of the cover artwork. It has been, as it always is in the company of Marly, a revelatory journey.
--Clive Hicks Jenkins, pilfered from his page on facebook
As always Clive's art is so beautiful. I always want to embroider his art on a huge quilt....each square one of Clive's lovely creatures.
ReplyDeleteSince he has been influenced by samplers and folk art in these, a quilt would be curious, returning the images back to the source....
DeleteMeta!
The b&w illustrations above are very Fraktur-inspired, it seems. (And I am Pennsylvania Dutch, so hey - I noticed!)
ReplyDeleteYes, he did look at examples of fraktur! Good eye.
DeleteHi, I’m almost done reading Charis in the world of wonder, I’m loving every bit of it. It is my first time reading your work and now I want to go and read all your books.
ReplyDeleteIn Charis in the world of wonder, you have several fairy tale archetypes developed, among them, the most prominent that I noticed was that of the Russian fairy tale, Vasalisa the fair. Was this story meant to retell that story? I love this genre, and couldn’t help but feel as if these two were closely related.
Hi there, Anonymous...
DeleteOh, that is wonderfully interesting! Brilliant connection! I hadn't even thought about the doll and a connection to the beautiful Vasilisa and Baba Yaga, but I certainly knew that story as a small child. In making the novel, I was well aware of lots of threads running from the story into the realm of Faërie, but I had not thought consciously of Vasilisa's doll and the tight, essential connection to her mother and her past. Charis and Vasilisa are both magicians with threadwork, and marriage to someone who values craft.
And now I'm thinking of the tale of the firebird and Vasilisa, with the huntsman who wins her being protected by the horse of power. Rather like Hortus!
Some of the patterns (the mother's death, the stepmother hag, the horrid daughters, importance of cloth and making) in Vasilisa's story are also dominant in other tales, but I had not really thought about Vasilisa! Thank you.
Sorry for the anonymous account name, I can’t figure it out how to log in to my account. My name is Maricarmen, thanks for your reply, it made my day!!!
DeleteI’m amazed that the correlations are not on purpose! Wow! Ideas are entities with the desire to be discovered by man, and show themselves to more than one person to have opportunity to be be expose in the world. 😋
You mean that you didn’t retell that story specifically… the rag doll, the two sisters, the forest, Baba Yaga, the courageous, resourceful young Lady, the prince… all of it is present in your book.
While reading “Charis in the World of wonders,” I was positive that you crafted all your characters based on the archetypes of the Fairy’s traditions, and saw a big George McDonals influence too. The mysterious environments, a bit dark, a bit magical.
I even texted my WRM friends that I was so happy to find a contemporary writer using all this ancient imagery.
I just bought Fr. Augustine Wetta’s “Pray Think Act”, and found your name in the acknowledgment, what a great surprise! It blew my mind to know that these two great thinkers work together. I found you in the picture. 👏🏼😂
Have a blessed day!
Hello, Maricarmen--
DeleteFr. Augustine was a private student of mine one summer when I taught at the Antioch Workshops. And we read and discussed part of a ms. he was working on at the time: The Eighth Arrow: Odysseus in the Underworld. Now it's out there in the world! He is a lovely, fascinating man, and we've kept in touch. Weirdly, he had the nerve to teach my long poem Thaliad to middle school boys, haha! And they even wrote stories in response. I'll have to show him what you said.
You know, I'm not saying my mind wasn't leaning into those things of Faërie because those stories are a part of my childhood (my childhood of obsessive reading) and my current life. They're in me in some deep way. And as for MacDonald, well, he was a part of my childhood as well, and I still read him from time to time. I reread Phantastes last year.... I feel that everything in my reading past, particularly my childhood reading, is a kind of rich soup that still nourishes me. And I draw on it to make new stories, but when I make something, I am doing a different kind of thinking than when I am walking about, living an ordinary day. It's like a dream, or a stream of story; it just appears. So it is quite natural not to always notice those connections until later. I'm totally there, totally experiencing and recording everything--in another way, I'm just letting it pour through me. And I think those two things are true at the same time. I like to feel unleashed when I write....free in the rush of words. That is, I learned, not the way everybody writes. But it's my way, and it brings me a lot of joy.
Oh, and I do like what you call "ancient imagery." I did have a year of Old English and love those early works and also Middle English poems. My most recent book owes something to Gawain and the Green Knight, and I have a study group reading works in translation from the 1st-3rd centuries. In fact, we're meeting today.
Thank you for writing, Maricarmen--as soon as you mentioned Vasilisa, a great tree of connections sprang up in my mind! And I agree with you about ideas as entities that want to be discovered. The patterns of reality are truths that underlie all those old tales of Faërie, and they're still unchanged and strong and beautiful.
Hello Marly! My name is Cathy (couldn’t sign in either) and I’m reading Charis for the Well Read Mom October read. This book is phenomenal. It takes a lot for a book to reel me in, and I have a hard time putting it down each day! Loaded question, but would you ever consider going through the process of pitching the book to be made into a feature film or mini series? Christian filmmaking is really taking off, but there are so few actual GOOD stories being told. I have a background in video production (not film though) and the producer in me wants to see this made for the screen sooo badly!! Thank you for sharing your masterful artistry with the world. God bless!
ReplyDeleteCathy,
DeleteSo glad you like Charis! I'm very glad you find it gripping and good. Thank you for writing to say so.
I have sold film rights to books before (twice for Catherwood), though I never count on such things and don't have the huge naked desire for film versions that I see in some writers, haha! I don't object to the idea, as it could help all of my books become a little more visible... I'm afraid all my film rights sales have been to struggling young filmmakers, and that usually means money must be raised--a big difficulty for them. I don't really know much beyond my experiences with selling rights....
You’re welcome, Marly! Yes for sure, funding is a definite stumbling block. I can’t wait to read your other works when I’m done with Charis in a few days!
DeleteAh, thanks! Hope you find something else to like. People do say that they are rather varied....
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