"The Changes," "The Ruined Garden," and "Come to the Selvage of the Sea" kick off issue 19 Winter 2021 of Willows Wept: https://willowswept.com/ and https://www.magcloud.com/webviewer/1903662?__r=150177&s=w for the online version... (And weirdly, the cover image by Troy Urquhart shows a Cherokee spot only a few miles from Cullowhee, NC, where I went to high school and still spend part of every year.)
Seek Giacometti’s “The Palace at 4 a.m.” Go back two hours. See towers and curtain walls of matchsticks, marble, marbles, light, cloud at stasis. Walk in. The beggar queen is dreaming on her throne of words…You have arrived at the web home of Marly Youmans, maker of novels, poetry collections, and stories, as well as the occasional fantasy for younger readers.
Pages
- Home
- Seren of the Wildwood 2023
- Charis in the World of Wonders 2020
- The Book of the Red King 2019
- Maze of Blood 2015
- Glimmerglass 2014
- Thaliad 2012
- The Foliate Head 2012
- A Death at the White Camellia Orphanage 2012
- The Throne of Psyche 2011
- Val/Orson 2009
- Ingledove 2005
- Claire 2003
- The Curse of the Raven Mocker 2003
- The Wolf Pit 2001
- Catherwood 1996
- Little Jordan 1995
- Short stories and poems
- Honors, praise, etc.
- Events
SAFARI seems to no longer work
Thursday, December 24, 2020
Christmas, Charis, Willows
"The Changes," "The Ruined Garden," and "Come to the Selvage of the Sea" kick off issue 19 Winter 2021 of Willows Wept: https://willowswept.com/ and https://www.magcloud.com/webviewer/1903662?__r=150177&s=w for the online version... (And weirdly, the cover image by Troy Urquhart shows a Cherokee spot only a few miles from Cullowhee, NC, where I went to high school and still spend part of every year.)
Friday, December 18, 2020
Night, village, snow
Home Sweet Home |
Santa's Cottage in tiny Farkle Park next to the 1802 Tunnicliff Inn |
Kiosk in Farkle Park with clever snow-shedding roof. |
Baseball Hall of Fame |
Ranking board at the Baseball Hall of Fame |
Village Library |
Main St. house |
Clark Foundation offices, Main Street by Cooper Park |
Sunday, December 13, 2020
Charis, Cáer, Ghosts
CHARIS IN THE WORLD OF WONDERS
Continuing to have Covid-era supply chain and other problems with indies and sometimes with Amazon and Ingram, so if you planned to read Charis in the World of Wonders, please don't let that dissuade you but support the book even if it takes a bit longer to arrive than you or I would like. I am, frankly, disheartened by my third (9-11, HarperCollins collapse, Covid19) intersection of a novel launch with a disaster. Who has that kind of mad luck? Me. Contemplating whether the universe wants me to stop writing novels...
It is on sale via Ignatius Press, and they have copies--I'd be even more worried about what the universe thinks if they vanished. All seems possible in 2020!
CÁER
Here's a poem of mine up at First Things this morning. It's about Cáer Ibormeith--Aengus fell in love with her in a dream, and that mythic love and hunt for the beloved was the inspiration for Yeats's great early lyric, "The Song of Wandering Aengus."
BEST BOOKS 2020
"The Best Books I Read in 2020." Charis in the World of Wonders makes an appearance, and I also have a note included.
and GHOSTS
And I just realized that another of my "tinies" is up at The North American Anglican. An odd little thing but mine own: "The Teeny Ghosts."
Friday, December 04, 2020
What's-in-print list; Pushcart nom
Charis in the World of Wonders: French flaps paperback from Ignatius, and of course it can be ordered directly from them. It keeps moving rapidly in and out of stock at Amazon, and the arrival dates keep changing. Indies may have best luck ordering directly via the publisher. Interior and exterior art by Clive Hicks-Jenkins. 2020.
The Book of the Red King: Hardcover or paperback from Phoenicia; paperback in the usual places. Interior and exterior art by Clive Hicks-Jenkins. 2019.
Thaliad: hardcover or paperback from Phoenicia, paperback in the usual places. Interior and exterior art by Clive Hicks-Jenkins. 2012.
A Death at the White Camellia Orphanage: Mercer hardcover and paperback. 2012.
Maze of Blood: Mercer hardcover. Interior and exterior art by Clive Hicks-Jenkins. 2015.
The Throne of Psyche: hardcover and paperback from Mercer. Cover image by Clive Hicks-Jenkins. 2011.
The Foliate Head: hardcover from Stanza Press (UK.) There are only a few copies left at Amazon and elsewhere. Interior and exterior art by Clive Hicks-Jenkins. 2012.
Look at the top of this page for tabs to book pages
with review clips, illos, blurbs, jacket copy, and more.
Thursday, November 26, 2020
Thanksgiving, 2020...
Here's a dream of peace and health and gratitude for Thanksgiving. "The Peaceable Kingdom" by Edward Hicks, folk painter and Quaker minister. "Love one another." (Edward Hicks - National Gallery of Art, Washington, D. C., online collection.)
Amazon, indies, Ignatius... Finally! I've been disheartened by how few ways there are to purchase Charis in the World of Wonders, thanks to Covid-era warehouse/post/distribution problems and the book selling out at some indies & Amazon, but it is at last back up at Amazon. Want to order Charis in the World of Wonders through your local indie but having Covid-time troubles obtaining it? When brand new indie Goldberry (Concord, NC) wanted more copies, they ordered directly from Ignatius instead of the distributor. Workable idea! Of course, you can order straight from Ignatius as well.
Carl Olson, “Axe-grinding and message spoil what you make”: An interview with Marly Youmans And here's an extensive interview with me, conducted by editor and writer and artist Carl Olson over several weeks. Catholic World Report, 22 November 2020 (landed on my birthday.)
I'm grateful to Catholic World Report for being interested in my Massachusetts Bay Colony adventure, as they also hosted the marvelous review by Jane Greer, 2020’s "Best-kept Literary Secret: Marly Youmans’ Charis in the World of Wonders is broad and deep, sweet and savage, funny and terrifying, and just plain grand."
Editor John Wilson on A YEAR OF READING: 2020. Look for Charis in the World of Wonders...
Monday, November 16, 2020
Reading with the Plague Papers
Sunday, November 15, 2020
Tonight at Easton Book Festival
Friday, November 13, 2020
Gratitude!
I'm still in house quarantine after returning from North Carolina (the state now has a shorter and more lenient version, but I don't qualify for that, having left under the old rules), so my life has not been too exciting of late. However, I'm expecting something wonderful about my books at the online Easton Book Festival, I have some other e-events coming up, I have a long interview coming out soon, and I'm about to meet up with the Cathedral Arts committee in Albany in a few minutes.
And I'd like to share a link to this just-out review of Charis in the World of Wonders by Jane Greer. While the review has been shared and re-shared on social media, I am hoping it gets a little more attention through the blog. I could not be more grateful for her remarkably strong review. Please read and pass on to readers you think might be interested. I would be glad of that at any time but especially glad in this year of pandemic book launches.
Sample clip:
The book invites comparison with other works, such as The Odyssey (arduous homecoming after war), The Book of Job (wretched loss without lost faith), and Cinderella (good prevailing over evil). It has aspects of all these classics. Charis faces nearly insurmountable issues but perseveres. She is heroic inside and out.
The novel’s compelling plot, realistic characters, gentle humor, and historicity are strengths, but the first attraction is its glorious prose. Reviewers—there have been a few—can’t resist quoting the book’s opening paragraph. Someday it may be as well-known as the first lines of A Tale of Two Cities or Anna Karenina.
Monday, November 02, 2020
The Plague Papers at Poemeleon
Clip from Robbi's introduction: In this anthology, the only one of its kind to my knowledge, we have asked writers to choose individual items from [museum] collections, and to tell us about them in poetry or prose. The works are listed alphabetically by the names of the museums in which the objects are located. Like other forms of Ekphrasis, the resulting works may interpret the work in question, imagine its creation, comment on the difference between the work online and in person, or spin a narrative about it, but with the aid of the link included with each piece, readers can immediately visit the museums and see for themselves what all the fuss is about. This book will introduce them to institutions they may explore for themselves online and perhaps, after the danger has passed, in person.
Mine is a response to an Old English poem in The Exeter Book (circa 970), housed in the library collection belonging to the Exeter Cathedral. Traditionally known as "The Husband's Message," the somewhat-damaged lines convey an exiled man's call for his wife or his betrothed to cross the sea to meet him. In riddling style (The Exeter Book also holds riddles), the request is spoken by a tree that has learned to speak, its wood now holding a carved, runic, secret cry.
About Robbi: Robbi Nester is the author of four books of poetry, the most recent being Narrow Bridge (Main Street Rag, 2019). She has also edited two other anthologies, one of which, Over the Moon: Birds, Beasts, and Trees, was also published as a special issue of Poemeleon.
A dim, gloomy Hallowmas...
Starting my mandated quarantine with All Saints Day...
Here's how the family welcomed me home...
Giant jack o' lanterns (minus one some mischievous Yankee stole)
and lady ghost and owl and noisy skull-knocker...
All Saints in the wee hours...
First snow of winter is on the giant pumpkins and chrysanthemums...
Snow plows scraping and jingling...
900 miles from Cullowhee...
Guess I'm really and truly back in Cooperstown.
Sunday, October 25, 2020
New reading, new poems--
"The Little Place" at North American Anglican (Click on my name for lots more.) |
Wednesday, October 14, 2020
Professor Phillips at Lafayette.edu
Thanks to @MobyProf for this short, strong review at https://today.lafayette.edu/2020/10/12/charis-in-the-world-of-wonders/:
Saturday, October 10, 2020
Clive, Charis, clips, poems
"The Young Wife's Reply" at Autumn Sky Poetry Daily
(Response to "The Husband's Message," c. 970, from the Exeter Book)
Monday, September 28, 2020
My summer escapes, etc.
Bryan Nelson Elder CC BY-SA 3.0 |
SUMMER ESCAPES FROM THE CRAZINESS,
Accompanied by the Youngest and the Husband
My husband was supposed to be volunteering in Mongolia this summer and was attempting to lure me along. Needless to confess, the woes of the virus kept us in the Village of Cooperstown. And we had some luck, as it was the prettiest summer in 22 years, sunny and warm and blooming. And now the maples are coloring up, and I suppose the last vestige of summer will end on Tuesday....
SYRACUSE, NEW YORK
Frolics to amuse our youngest:
a. ghost golf;
b. mirror maze;
c. go karts;
d. Dinosaur BBQ.
All very mask-y and socially distanced, yes.
BURLINGTON, VERMONT
The leaves are turning, so the seasons must still be in order. No I did not see the Lake Champlain monster. Had good meals at Hen of the Wood, Bangkok Bistro, and Skinny Pancake. College protests all started with "Oink, oink" and continued in the usual fashion. Lovely swings by the lake, not far from the Requisite Edge-of-Campus Encampment with garbage and fancy tents. Ah, sunsets!
ESSEX, NEW YORK
Lovely ferry ride from Charlotte, Vermont to Essex. And Essex (1765) is wonderfully charming and ancient in the American way (that is, not that old for most parts of the world but ancient for us, meaning lots of pre-Civil War architecture and still intact.) Octagonal private schoolhouse! (And oddly, another one out in the countryside, but made of stone. And that one in 1826 seems about a quarter-century too early for octagons.) Lots of Greek Revival, federal, and Georgia architecture. Cunning library. Gardens still in full blow, with lots of Japanese anemones and butterfly bushes and salvia, etc. The earliest surviving house appeared to be 1780's...
Had a good lunch relaxing in squishy chairs overlooking the lake at the Pink Pig. And we had our more-than-fair share of gorgeous sunshine, colored leaves, deep blue water, and good company.
FIRST EVER KAREN ENCOUNTER
Curious village-anthropology incident... After lunch, we had an exciting Karen Encounter while rambling along the street drinking our respective beverages, masks in hands. Although a good ten feet away from any other human being, we were chided at some length to socially distance and put on our masks. I'm afraid we responded by veering a few more inches away to make sure we did not accidentally tumble into the careful shop lady's place of business.
Of evolving anthropological interest: she did have the requisite long bob of Karen fame.
PORTLAND, MAINE
Receding in memory, but it was good to see ocean, admire architecture, wolf excessive amounts of seafood out-of-doors on piers and decks, sniff hard at the salt air through our masks, and march indefatigably all over town.
Also, I just barely missed stepping on a dirty needle near the Portland Encampment in my sandals--and barely missing is excellent, infinitely better than not missing at all. Tents were definitely not of the fancy Burlington Encampment variety.
Notable: the famous potato doughnuts with interesting Maine flavors (wild blueberry, maple, lemon-ginger lobster, hermit armpit, moose, etcetera.)
***
THOU LAZY BAGGAGE, READ!
Unrelated news: If you are like most of the population in northern and southern hemispheres, you may not have read my new novel yet. Please do. Charis in the World of Wonders is a better escape from Covid19 than ghost golf, potato doughnuts, and a ferry ride rolled into one enticing ball. (In fact, there are ferries in Charis in the World of Wonders, but no ghost golf and no potato doughnuts or, indeed, doughnuts of any kind. There is a tray of bride cakes, however.)
If you have already escaped massacre and horrid frontier-village dangers (Goody-Karens, witchcraft, magistrates, and so on), then I suggest you time travel back a year and read The Book of the Red King.
***
FINE CHARIS-TWEET
I've rather lost track of comments by writers, but here's a lovely one from poet Mischa Willett of Washington State. If you earnestly and sincerely and greatly desire more (i.e. more reasons to readreadread), check out the book page.
(Willett, Willett... Long ago, I lived on Willett St. in Albany--my first two children were born there. It was near the Psychiatric Center, and I had many odd adventures with people in the park across the street from our apartment. Like Central Park, it's an Olmstead-designed park. In case you are wondering, I expect that probably has nothing to do with Mischa Willett. Oh, there's a new Willettian work: The Elegy Beta. And I am reading and liking it this week, so I am glad Mischa found my novel because that meant I found The Elegy Beta.)
Post-detour: finally, here's the tweet! With Mischa's curtain, lamp, clock, and copy of Charis.
Tuesday, September 15, 2020
New interview
Wednesday, August 19, 2020
Horse. Angel. Riddle.
Here are some three-line openers/teasers that will surely make you fly through the aether and land ever-so-daintily on the Cunning Folk cloud:
from "The Riddle"
The mystery of making things
From words is how the needed element
Seems like a metal jot that springs
and from "The Horse Angel"
Heaven and earth are like two hands that touch,
Clapping together when a thunderbolt
Rives the air and melts the sand to glass.
I also have a short story titled "The Horse Angel." It's in the 2009 Postscripts (U.K.) anthology. Suppose I need a horse-angel essay next.
In related news, I'm saving the tweet below because a.) Dan Sheehan always deletes his page and b.) it is my favorite tweet of the month, and I shall look at it when I feel blue about having yet another novel come out during a disaster. (However, surely the universe will find that three disaster launches is enough... Then again, maybe not. There may be some reason behind my terrible timing, some thing I simply don't get. Offended a minor demon. Insulted a child. Tripped over my own words.) The Sheehanian comment is evidently referring to the Cunning Folk poems in particular, but I feel cheered by the idea of having eerie powers, haha! At least in the realm of world-wielding... And transporting. And timelessness. Okay, I sort of love Dan Sheehan right now, though I suppose that is childish and silly. Compliments at the right moment are sweet.
As I'm getting over a nasty g.i. bug (not The Bug), I shall now wave good-by! and go hug a pillow.
Wednesday, August 12, 2020
Dear Wikipedia, I object--
Among the many bothersome or dreadful things presenting themselves to my mind in 2020--global, national, and personal things--is the fact that Wikipedia still determines that I am a New Formalist. I noticed this claim some years ago. Perhaps many years ago. In fact, dear Wikipedia, I wrote you about this wee but annoying issue back in February of 2016.
But having accidentally fallen once more into my Wikipedia page by clicking heedlessly on a link, New Formalist glared out me from the little box in the upper right, even though I backtracked as quickly as possible. At the time (whenever it was) that someone made that minor yet preposterous claim, I hadn't the vaguest idea what a New Formalist might be. I certainly was part of no supportive group of poets. How can a writer be a part of a group or movement she knows nothing about?
These days, I know a good many more poets, yet I still don't know who might be regarded as part of this group that could have been supportive of my writing yet obviously was not. For I would have noticed--years ago--that I was well supported or even minimally supported by other writers. Might I have been a part of some jolly bunch of poets, sailing the seven seas in joy, and not have noticed? My dear Wikipedia, I very much doubt it.
You see, I've never been the least bit good at making "contacts" that might "help me." And I certainly was never embraced by a literary movement. A person notices when she is embraced, whether by a friend or a pushy stranger or even by a whole great big Literary Movement with capital L and M.
The only favor I can recall being done for my poetry was when the late Louis D. Rubin, Jr. asked to see my first poetry manuscript and then sneakily mailed it off to Louisiana State University Press. And they took it, the mad things! Once. I didn't sell enough copies of my first book to be loved by them eternally. If only I had been part of a Literary Movement, you are probably saying to yourself, my dear Wikipedia! See, you almost admitted the truth there for a moment. But I don't think the book broke 400 copies, way back when. Unfortunately, Claire (I wish I had named it Snow House Stories and Other Poems, as I first intended) hopped around the press like the proverbial hot potato after its first editor took leave to take care of his ailing mother, abandoning my baby. Books need one consistent editor the way a baby needs one consistent mother. (I had two for my first six months of life, but that's another story.) I'm still grateful to Louis for surprising me with that submission. I'd give a great deal to have a chat with him, right now.
What is this New Formalist business? People who write in form who come later than others who write in form? Keats is later than Milton. Pope is later than Shakespeare. People who write in form are simply poets.
That's not what you mean, though...
Don't tell me. I could just look it up on Wikipedia, but I won't.
No doubt it's the pesky people who tired of the light constraints of free verse and leaped back into terza rima and sonnets and metrical lines and even rhyme. Like me, yes. But evidently they mustered together and created a movement. An actual Movement. Please do not tell me about it. I do not even wish to know. I just wish you, Wikipedia, to delete that bit of illusion, that claim with its air of importance. (Oh, yes, I, I, I, belong to a Literary Movement. Nope. Never happened.) Perhaps the assertion rises to the level of the currently popular genre, fake news... Except poets are rarely news. I expect Ezra Pound was the last to provide anything we could classify as news, and that wasn't good news.
I may know people who think of themselves with that label. I suppose it is possible. But I don't know who they are, and I don't intend to find out. For me, there are good and memorable poems, and then there are the other poems. The latter no doubt are just as important to their makers as the good and memorable ones are to theirs. Some poems are mayflies, some are mighty Methuselahs. Hoping to catch the next poem as it streams through my mind (mind? spirit?) is what matters to me. I hope it's what matters to most poets (whether they write in form or in some Ivar-the-Boneless manner), though I have encountered poets who had something else entirely in mind.
So dear, sometimes-helpful Wikipedia, note this: People who write in form are merely poets. That's how it has been for thousands of years. And this person--me--who became bored by free verse* long ago is merely a maker of poems and stories, and not part of any movement. And that is all.
I expect you won't do anything about this. After all, it has been more than four years since I wrote you, and I still have this peculiar mark on my forehead. I'll try again in 2024, if the world and I last so long.
See you then!
Marly
*I should say that I do have a manuscript that you might call free verse... It combines influences from several distant traditions. Cultural appropriation, you might say, if you were unwilling to accept that the history of literature is a Silk Road, rejoicing in foreign spice and barter and ingenious theft.