Pulling a print for the Annunciation anthology |
and
She is not yet old enough to include in the posts on "elder artists," but here's a great quote from her that applies to the topic of making art and growing older:
Printmaking always carries technical challenges, and I continue to improve my skills and experiment with new materials and techniques. There's no substitute for experience. In all of the arts, we face the challenge of not becoming discouraged, and the risk of "failure," whatever that means to each of us. We need to continually push ourselves in new directions, and not get stuck in repetition. I'm happiest when I am learning new things and pushing myself, so I try to remember that. I'm over 60 now so I've been at this a pretty long time, and hope to be a creative person until my last breath!Beth is a great publisher / designer (my book with her press is the gorgeously-produced Thaliad with art by Clive Hicks-Jenkins) who is very particular about projects she takes on--that they "fit" her sensibility and vision for Phoenicia. She is also just a wonderful person to know.
Another one from Annunciation |
50 watts: some good ones. great enjoyment and sometimes awe to be gained from prints; also, as i understand, from reading escher and others, quite a difficult and demanding art. tx for the exposure...
ReplyDeleteThe anthology she illustrated is very pretty--one main subject but a large number of stances. And Roderick Robinson...
DeleteThese are stunning pieces, Beth. I'd love to see the angel in its entirety, but the image of pulling the print off the plate is intriguing, in part because the negative and positive spaces are not reversed--only left and right are reversed. Please comment on the kind of prints these are.
ReplyDeleteHi Mary! They're all linocuts.
DeleteHi Mary! They're all linocuts.
Delete