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Saturday, December 03, 2005

Illustration techniques of Renato Alarcao

Wonder has no opposite; it springs up already doubled in itself, compounded of dread and desire at once, attraction and recoil, producing a thrill, the shudder of pleasure and of fear.
--from Marina Warner, Wonder Tales

Here's another Renato Alarcao sketch for The Curse of the Raven Mocker: the raven; the grandmother's mountain-top house above the twisting paths; Adanta behind Tass on his pony, Polk.

Here's something Renato wrote me about how he works: ". . . it is usually a blend of traditional and digital. Well, I have many different styles and use a myriad of techniques, depending on what the manuscript suggests (or what the editor wants). The pieces with textured surfaces and scratchy lines ("Ingledove", "The Curse of the Ravenmocker" and "Red Ridin' in the Hood") were done with black etching paint over transparent acetate. Then I scan it into the computer and apply the colors. The final touch is the pencil outline which is applied digitally as well. It takes forever to finish one single piece!!"

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Alas, I must once again remind large numbers of Chinese salesmen and other worldwide peddlers that if they fall into the Gulf of Spam, they will be eaten by roaming Balrogs. The rest of you, lovers of grace, poetry, and horses (nod to Yeats--you do not have to be fond of horses), feel free to leave fascinating missives and curious arguments.