- Charis in the World of Wonders 2020
- The Book of the Red King 2019
- Maze of Blood 2015
- Glimmerglass 2014
- Thaliad 2012
- The Foliate Head 2012
- A Death at the White Camellia Orphanage 2012
- The Throne of Psyche 2011
- Val/Orson 2009
- Ingledove 2005
- Claire 2003
- The Curse of the Raven Mocker 2003
- The Wolf Pit 2001
- Catherwood 1996
- Little Jordan 1995
- Short stories and poems
- Honors, praise, etc.
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Wednesday, October 19, 2005
Book Party for Fae Malania at the Thanksgiving Home
Our second event for Fae Malania and the reprint of her 1961 Knopf book, The Quantity of a Hazelnut (Seabury, 2005), went off very well, hosted by Pat Donnelly (director) and Trish Webster (activities director). The reception was in the parlor at the Thanksgiving Home, with old-fashioned songs on piano and wine and cheese and crunchies. Every person who bought a book at the original launch party was invited, and I think that they all came. The room was crowded with friends of the book, as well as with most of the residents of the Home.
Fae looked delicate and pretty and happy, and that went a very long way to making the rest of us feel very pleased. I sold more "nuts," and I think that the book has done exceptionally well in our little village.
Now I need an accountant!
Meanwhile Fae has a lovely review in Library Journal:
MALANIA, FAE. The Quantity of a Hazelnut. Seabury. 2005. c.138p. ISBN1-59627-014-4. pap. $14. REL This gem of a book contains many years' worth of meditations on life's wonders and struggles by Malania, former Mademoiselle staff member and widowof an Episcopal priest. Malania writes with singular facility and wit; her mind engages the likes of T.S. Eliot, Gerard Manley Hopkins, and Julian of Norwich as her prose addresses images as small as the titular hazelnut and problems as large as the death of a president. Not many spiritual writers could find wit enough to praise a camel with humor and dignity, yet Malania does. Highly recommended. (from the Spiritual Reading column by Graham Christian)
Edith Abbott, who has designed books for The Stinehour Press and other notable fine presses, thinks that Seabury did a first-rate job on the book.