- Charis in the World of Wonders 2020
- The Book of the Red King 2019
- Maze of Blood 2015
- Glimmerglass 2014
- Thaliad 2012
- The Foliate Head 2012
- A Death at the White Camellia Orphanage 2012
- The Throne of Psyche 2011
- Val/Orson 2009
- Ingledove 2005
- Claire 2003
- The Curse of the Raven Mocker 2003
- The Wolf Pit 2001
- Catherwood 1996
- Little Jordan 1995
- Short stories and poems
- Honors, praise, etc.
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Tuesday, October 09, 2007
News & Sillies & Confession & Praise
WHERE I'D LIKE TO BE
Mako Fujimura does the most interesting collaborations. I had the fun of doing one with him not long ago, and here is a new one that sounds especially attractive. If you're in New York City, this just might be something wonderful to do:
Fujimura Studio Announces: Makoto Fujimura to become first visual artist ever to paint live at Carnegie Hall in his collaboration with Susie Ibarra, composer.
World-renown percussionist and composer Susie Ibarra will premiere her new work, Pintados Dream (The Painted's Dream), a concerto for percussion and orchestra, in collaboration with visual artist Makoto Fujimura and American Composers Orchestra, at Carnegie Hall's Zankel Hall on October 19th. Tickets are available at http://www.carnegiehall.org/ or by calling (212) 247-7800.
While Fujimura and Ibarra have collaborated and experimented with live performance art several times in the past three years, this premiere will represent a first for Carnegie Hall: never before has an artist painted on stage during a performance there. Fujimura's technique, heavily influenced by Japanese Nihonga as well as American abstract art, provides a visual complement to Ibarra's largely improvised percussion sounds, underscored by the American Composers Orchestra.
Fujimura, founder of International Arts Movement, uses all natural materials in his art. "I am more and more convinced that the imperfections are more important to define humanity than perfected products. Acrylic and synthetic mediums can accomplish great feats in design and other plastic applications, but in direct painting, I believe that natural mediums.... have 'memory imprints' of the past, and Japanese materials in particular (reflect) a collaboration with nature, heritage crafts and art."
Educated bi-culturally between the US and Japan, Makoto Fujimura's paintings have been exhibited all over the world. He was honored in 1992 as the youngest artist ever to have had a piece acquired by the Museum of Contemporary Art, Tokyo. He was also the youngest person ever to be given a Presidential appointment to the National Council on the Arts, the highest arts position in the United States.
Susie Ibarra's Pintados Dream (The Painted's Dream), a collaboration with visual artist Makoto Fujimura and American Composers Orchestra, will premiere at Carnegie Hall's Zankel Hall on October 19th. Tickets are available at http://www.carnegiehall.org/ or by calling (212) 247-7800. The performance will be repeated in Philadelphia on Sunday, October 21 at 7:30 p.m. in the Harold Prince Theatre of the Annenberg Center for the Performing Arts, University of Pennsylvania. Details can be found at http://pennpresents.org/press/?item=2007-09-25a.
International Arts Movement will host a fund raising event to commemorate the event. "Evening with Fujimura and Ibarra" will feature a studio tour, premier seating for the October 19th event, and buffet meal at IAM's brand new Space 3839, as well as invitation to the reception with Susie Ibarra and Makoto Fujimura. Please contact Christy Tennant at Christy@iamny.org for more information. Photo credit: IAM press release.
HOME FROLICS WITH SLAPPING
N: Hey, what do you think this?
(Slaps torso wildly)
N, in a silly but fierce voice: The Macarella!
R (15) and N (10) are cutting up on the way back from North Carolina. R slaps N playfully.
R: How dare you!
N, in an obscure and romantic foreign accent: Oh, what a beautiful lady. But so dangerous!
N calls out as the car passes River St. at night: Guys! Penguins! Go back!
The penguins turn out to be a crowd of orange cones nesting on the sidewalk and in the street.
The Next Morning
(Much teasing from older siblings over breakfast.)
N's salvo: Why would there be so many if they're not penguins in disguise?
Teenagers, arguing about whether one of them is a midget or not.
Small classmate turns to R: Well, what do you think? Am I a midget or not?
R: Only a little.
Meanwhile B is a senior of 18 and still plans to be a general (he has been deeply, deeply obsessed with military history since first grade) and President. Dear reader of these words, my advice is that you immediately put on your boots and tremble. Trembling in boots is a time-honored mode of dealing with fearsome prospects, and it's as good as anything as a way to get ready for the Dominion of B.
MARLY'S LOUSY WEBSITE
Yes, I now confess my utter laziness in not checking for Firefox, Safari, Utnostifelque, Opera, Rosti, Snitter, Lear, and other browsers in re-making my simple, primitive website at http://www.marlyyoumans.com/. However, as the planet has whirled around the sun once more and time has thus come round for the famous 2-day birthday bash of R, I simply have time for nothing else than the usual events plus the approaching extravaganza of drama, gustatory piggishness, songs (some mocking), detection, sleeplessness, costume changes, charades, etc. You will just have to put up with the darn ignorant thing as is, at least for a while. I'm just too busy. Also, some of us are web morons and not even properly ashamed.
I am now officially expressing my gratitude to teachers of small children. Do you know how hard it is to teach the same dratted material four times in a row to hordes of children packed full to bursting with questions?
It wore me out.
Let's pay the teachers more, or at least give them a good lie-down and a cup of tea.