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Showing posts with label Rebecca Kuder. Show all posts
Showing posts with label Rebecca Kuder. Show all posts

Wednesday, July 23, 2014

Blog hop, bog hlop for Richelle Hawkes

Now in pre-order
Available via Mercer, online shops,
and your favorite indie bookstore
Richelle Hawks of Shipwreck Dandy asked me to participate in her blog hop, and so here goes--

What am I working on?

Right now I have finished up a week at the Antioch Writing Workshops in Yellow Springs, Ohio, where I ran a poetry workshop and also met one-on-one with various people to discuss both poetry and fiction manuscripts. It was great fun, and I met lots of wonderful people, and stayed with writers Robert Wexler and Rebecca Kuder. Now I’m staying with friends-in-the-arts Lynn and Paul Digby, and Paul is taping and filming me reading poems and some fiction. Later on he’ll make some videos (and there will be podcasts) with his own music.

When I go home, I need to finish up some manuscripts that have been lying around, waiting for attention.  I have a poetry manuscript and a novel for children that are in need of some final polish or tweaks here and there. I have a novel forthcoming next year that I mean to revise one more time—occurred to me that I really ought to change the order of a few things, long after it arrived at the publisher's office.

More here
I won’t start a large, new project until those things are done, though I’ll be writing poems and small stories. I’ll be doing some traveling on behalf of my  novel, Glimmerglass, beginning with SIBA in Norfolk in September. I really need to arrange more events at the moment. And I’m still doing some work to help out recent poetry and fiction books—The Throne of Psyche, A Death at the White Camellia Orphanage, Thaliad, and The Foliate Head. (See tabs above for information.)

How does my work differ from others in its genre?

I write lyric poetry, long narrative poetry, short stories, novels of various sorts, and even a few Southern fantasies for young adults, so I find that one a daunting question. Think I’ll leave it for readers to answer!

Ferrol Sams Award,
Silver Award, ForeWord BOTYA
More here
Why do I create what I do?

One of the most beautiful, good, and true acts human beings can perform on planet Earth is to rejoice in the greater Creation by making things. To create art is to live a larger life, one with greater energy and joy and scope.  

I make things in order to speak to and give back to the created world—to make shapeliness and to seek power and truth in words that, once pushed into the right order, may become an experience for another human being. I love the thought that somewhere, someone may be reading one of my books and feel something of what I felt when I was making it.

How does my creative process work?


More here
I might as well say that it falls as a golden waterfall from a distant star. The more I go on, the less I know and the more I feel about the mystery of art. If my writing is moving in its most natural and most potent way (as opposed to my simply doodling with words because, say, I haven't written a poem in a while and want to do so), it simply pours through me like a wave of energy that becomes embodied in words. Words and stories and poems swoop in, and later on I polish them and play with them until they are right. 

All work falls short of the fire that burns in the mind, but approaching that original fever is a constant lure. I love that fay call from within (or perhaps from without?) and the attempt to answer back.

More here.
And who to tag for the Gob Holp, Ogh Bolp, Blog Hop?


Scott G. F. Bailey
Scott's blog hop response here

More to come...

Friday, March 16, 2012

Riding the rails with Pip Tattnall, part 4

Writer Rebecca Kuder has posted another section of my one-and-many interview in celebration of the launch of A Death at the White Camellia OrphanageRebecca has finished a novel, The Watery Girl, and is now at work on  The Eight Mile Suspended Carnival. She is an interesting woman with a colorful background in theatre. Today she writes, teaches, and makes Sanity Creek Sock Monkeys. ("Make monkeys, not war!") She's also a mother and married to writer Rober Freeman Wexler, who did the book design for my novel Val/Orson and blogs at Laconic Writer. Many thanks to her.


Elsewhere, books have arrived at Mercer University Press warehouses, and are said to be beautiful. Evidently the seal in the final version is gold, but otherwise just like the image here.


Comments are off. If you wish to leave a comment, please leave on Rebecca's blog! UPDATE: I've had a batch of people say they couldn't post on her Wordpress site with the email address they used. You might try using an alternate one, as that seems to work--at least it worked for me on another Wordpress site today. And if anybody else wants to participate in the launch interview, please write me at smaragdineknot [at] gmail [dot] com.