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Showing posts with label George Herbert. Show all posts
Showing posts with label George Herbert. Show all posts

Sunday, April 04, 2021

Celebrating Easter with three makers--

To celebrate Easter, here are a few images from contemporary makers I have explored and admire, masters of religious art... None of these celebrated Easter earlier today, as they are all Eastern Orthodox congregants. While I am not Orthodox, I would say that I have leanings in that direction (particularly toward the beauty, the densely visual and narrative quality of their churches, and the love of early writers), and I was for a time on the board of an Orthodox contemplative center. I'll have to write about that some time...

The first is a mosaic by Aidan Hart, a wonderful all-around maker of church furniture and decoration, and a writer whose book Beauty Spirit Matter: Icons in the Modern World is a splendid, ravishing thing. You may think it strange, but I have found his writing about church decoration to be generative for my writing--and that's a rare quality. I recently wrote a poem beginning with a line quoted from Aidan Hart, and another structured by his advice to iconographers. Writers, of course, are magpies, and pluck up glittering bits of inspiration where they will, sometimes in surprising places.


                                                                             * * *
                                                One of two new Aidan Hart mosaics for
St George’s Orthodox Church, Houston, Texas
Read about how they were designed and made

            Consort both heart and lute, and twist a song
            Pleasant and long:
            Or since all music is but three parts vied
            And multiplied;
            O let thy blessed Spirit bear a part,
            And make up our defects with his sweet art.

                   from George Herbert (1593-1633), "Easter"

Here's another image I like--a chandelier by the wonderful Orthodox architect, Andrew Gould, installed in his home church in Mt. Pleasant, South Carolina. Long ago, I used to spend a good deal of time in Mt. Pleasant and Charleston, and some day I'd like to do a Gould-tour of the area, jaunting about to see his clever churches and houses and the wonderfully imaginative wine store... 

I love the way he nestles new homes into historic communities by creating a sort of narrative around them, establishing a place and time and story for each. In fact, I love the way narrative interpenetrates the work of all three makers here. It rises up naturally as a response to bedrock narratives and also to traditional ways of incorporating narrative into church buildings.

Read about the image here: 
New World Byzantine Studios, installed 
at Holy Ascension Orthodox Church"

        Looke downe, thou spiest out Crosses in small things;
        Looke up, thou seest birds rais’d on crossed wings;
        All the Globes frame, and spheares, is nothing else
        But the Meridians crossing Parallels.
        Materiall Crosses then, good physicke bee,
        But yet spirituall have chiefe dignity.

              from John Donne (1572-1631), "The Crosse"

And here is an Old Testament prefiguration of the resurrection, the "sign of Jonah," as the now-a-tad-wiser ship's passenger returns to light and air from the belly of the fish. It's by the only North American practitioner of icon carving, Jonathan Pageau, who works in wood and stone but is also well known for his talks on how to read as symbolic events and scripture and the works of the church fathers. As that fits rather nicely into my own way of looking at the world, I find him interesting in several ways.

* * *
Take a visual ramble
around Jonathan Pageau's gallery HERE

For good company to go with the image of Jonah in those complicated waves, here's a crumb of Father Mapple's sermon from Herman Melville's Moby Dick, published in 1851 : “Shipmates, this book, containing only four chapters--four yarns--is one of the smallest strands in the mighty cable of the Scriptures. Yet what depths of the soul Jonah’s deep sea-line sound! what a pregnant lesson to us is this prophet! What a noble thing is that canticle in the fish’s belly! How billow-like and boisterously grand! We feel the floods surging over us, we sound with him to the kelpy bottom of the waters; sea-weed and all the slime of the sea is about us! But what is this lesson that the book of Jonah teaches? Shipmates, it is a two-stranded lesson; a lesson to us all as sinful men, and a lesson to me as a pilot of the living God. As sinful men, it is a lesson to us all, because it is a story of the sin, hard-heartedness, suddenly awakened fears, the swift punishment, repentance, prayers, and finally the deliverance and joy of Jonah."

All three of these makers have articles at Orthodox Art Journal, as well as online homes well worth exploring. (I have pilfered the images from OAJ and Pageau Carvings and have put some trust in kindly forbearance.)

Aidan Hart articles at Orthodox Arts Journal
Aidan Hart's online home, Aidan Hart Icons



Andrew Gould articles at Orthodox Arts Journal
Andrew Gould's online home, New World Byzantine

Jonathan Pageau articles at Orthodox Arts Journal

Enjoy! 
Happy Easter--

Sunday, March 27, 2016

Fra Angelico at Easter


Update, 16 hours later: One thing I love about comments is that people say curious things, and then that helps me to know my own mind. Here's a bit of my reply to the ever-interesting poet (and more) with the alliterative name, Roderick Robinson, drawn from the just-prior post on Fra Angelico's Christ:
I look at Fra Angelico with a kind of relief, knowing that he would never, ever believe in "a senseless act of beauty," that beauty for him is always meaningful. So different from our own day. He's always so direct and clear and devoted to the art. Like George Herbert, he could have been much in a worldly sense but turned away from those chances. I admire that sort of understanding, one that sees so clearly what is important in life and what is not. And there we are veering closer to what you call "unfashionability as a virtue."
* * *

I'm too tired to think in words, so here's a little more Fra Angelico to admire--a detail from a fresco, "Resurrection of Christ and the Women at the Tomb" at the Convento di San Marco, Florence, 1440-1441. Public domain image. Here are some more beautiful San Marco images from Fra Angelico.

Here is how Giorgio Vasari describes Fra Angelico in his Lives of the Most Excellent Artists, Sculptors, and Architects:
He would not follow the ways of the world, but lived purely and holily, and was a great friend of the poor. He painted constantly, and would never represent anything but the saints. He might have been rich, but did not care about it, saying that true riches are nothing else than being content with little... To sum up, this father, who can never be enough praised, was in all his works and words most humble and modest, and in his paintings facile and devout; and the saints whom he painted have more the air and likeness of saints than those of any one else. It was his habit never to retouch or alter any of his paintings, but to leave them as they came the first time, believing, as he said, that such was the will of God. 
And now good night! Or good morning, elsewhere.

* * *
Nancy Olson, founder and 29-year owner of Quail Ridge Books of Raleigh.
 Requiescat in Pace

Wednesday, February 10, 2016

A crumb of dust

George Herbert, who left us gold...
"To be a window, through thy grace."
St. Andrew's, Bemerton, Wiltshire.
Ash Wednesday.

Flakes of snow falling out of the ash-light.

As I am dust, and to dust I will return, I started off the day properly with tea (needed to moisturize that dust in the meantime!) and a rich, metaphysical poem from the marvelous Anglican poet-saint, George Herbert (1593-1633), writing of "a crumb of dust." Some poems are touchstones that tell the gold a poem can be--how large and bold and beautiful. This is one.


The Temper (I)

How should I praise thee, Lord! How should my rhymes
     Gladly engrave thy love in steel,
     If what my soul doth feel sometimes,
          My soul might ever feel!

Although there were some forty heav'ns, or more,
     Sometimes I peer above them all;
     Sometimes I hardly reach a score;
          Sometimes to hell I fall.

O rack me not to such a vast extent;
     Those distances belong to thee:
     The world's too little for thy tent,
           A grave too big for me.

 Wilt thou meet arms with man, that thou dost stretch
      A crumb of dust from heav'n to hell?
      Will great God measure with a wretch?
           Shall he thy stature spell?

 O let me, when thy roof my soul hath hid,
      O let me roost and nestle there:
      Then of a sinner thou art rid,
           And I of hope and fear.

 Yet take thy way; for sure thy way is best:
      Stretch or contract me thy poor debtor:
      This is but tuning of my breast,
           To make the music better.

 Whether I fly with angels, fall with dust,
      Thy hands made both, and I am there;
      Thy power and love, my love and trust,
           Make one place ev'rywhere.

Thursday, February 27, 2014

Don't follow your bliss--

William Blake, "The Genius of Shakespeare"
The idea of "following your bliss" seems to have successfully invaded all precincts of our world. I seem to meet it everywhere online, but I don't approve of its sentimentality, smarminess, and false illusions. No doubt I have mentioned it before. But my mentioning it hasn't stopped the flood of bliss-advocators. I'm like the little boy with his thumb in the dike, except that I'm not going to freeze to death (unless I go and stand in my Yankee back yard for an hour or so and tell the birds about the need to ignore the popular version of Joseph Campbell. But since they're making music with joy without any worry, I probably don't need to make that sacrifice.) Here are some stray quotes celebrated by friends and snitched from social media:
Find your passion, say 'no' to anything that is a waste of time and keep on going. Focus on what you love. --Rebeca Plantier 
If you follow your bliss, you put yourself on a kind of track that has been there all the while, waiting for you, and the life that you ought to be living is the one you are living. Wherever you are—if you are following your bliss, you are enjoying that refreshment, that life within you, all the time. --Joseph Campbell 
I have quite mixed thoughts about this sort of recommendation. On one hand, I had an overweening, intense passion to read and then read and write as a child--fine, I've followed it, made lots of large sacrifices because of it. I gave up achieved tenure and promotion, dropped out of the helpful-to-a-writer academic machine, and in general slept less and had less of what people call fun than others because I wanted to pursue the glimmering goal of art. And I don't regret any of that because I still have a fire to make stories and poems. That's my kind of fun, a deeper and more curious pleasure than most. I'm grateful that I've been able to have so much of it, thanks to my own obsessive nature and a husband who likes to cook.

Did a black swan land on my head as a result of my fire to create? No. Do I expect to hear the whirring of wings at my back? No, not unless it's the whirring of Marvell's "time's wingèd chariot." Yes, that could be what I hear... Would I be glad if a black swan dropped in for a visit? Sure. I love readers, and a work is completed each time it is read.

(Missed the black swan theory? In the words of Wikipedia, "The black swan theory or theory of black swan events is a metaphor that describes an event that comes as a surprise, has a major effect, and is often inappropriately rationalized after the fact with the benefit of hindsight." A theory laid out by Nassim Nicholas Taleb, it was picked up and refined for writers by the Grumpy Old Bookman, whose writings on the scalding truth about the role of luck in the writing world had been an inspiration to Taleb. In literary terms, what happens when a book is anointed as lead book by a publisher and then shoved into the public's face is a bit of a black swan. The amazing success that overtook Jo Rowling's Potter books is a gigantic, morbidly-obese black swan. Black swan literary success, then, comes as a surprise, may have a huge effect, and is rationalized by people afterward.)

I know a lot of people who just don't fit that popularized, overly-sweet image of the hero following his bliss. (Here I should note that I have found Campbell's ideas about the hero's journey to be interesting, particularly when I am thinking about stories, which have a lot to say about human life but are not the same. If they were, they would be human life.) Some of the people who don't fit the pattern are people without a passion. And some of them are people who did or do have a passion.

Take the people I know who did not have a passion, who fell into something and became very good at it. I don't think that's a problem. In fact, I think it's great. We don't all have to chase a muse through hollow lands and hilly lands. I believe that becoming very good at something is plain old satisfying. A simple goal of becoming good at something is a better goal for a lot of people. It's not a little goal, either; it's a large, worthy one. The satisfaction that comes from slow accomplishment and a degree of mastery is highly underrated.

Here's a dramatic example: I have a friend who was a successful concert pianist, touring nationally. At some point, he felt that he would never be of the very highest rank, and that he simply didn't like the loneliness of the life. He dropped out and went back to school and eventually became a physician at a teaching hospital, where he is a different, more familiar sort of success and has plenty of people contact that eliminates the solitude of the single life. A smart man, he had been following his bliss and doing quite well in worldly terms. But bliss turned out to be less satisfying than the original advertisement. It didn't fit his life well. So he went through new training and became good at something else, something very different. I admire the strength of mind that made him quit one pursuit and set out on another path--a path that was not his bliss.

The popular "follow your bliss" goal is a sentimental mirage that has harmed others I know, particularly in the arts. The concept is supposed to lead the hero upward to heroic success. It's intended to be more than an internal journey. Anyway, people tend to be unsatisfied by being Hawthorne's secret artist of the beautiful. It's that pesky old human nature, never content! I know people who were unable to handle their lack of worldly success in the whimsical world of the arts, unable to come to terms with the way of the world and accept that there's an awful lot of luck in what happens, and that black swans don't plop down on most people's heads. Even though lack of success diminished and in some cases spoiled their affection for a pursuit, they were unable to change course and find another goal. I'm not sure what the answer would have been for these people, aside from an earlier understanding of the ways of the world (hard in an era that forces self-esteem down children's throats) and a clue that "follow your bliss" is an often-delusional path that may lead to a place that does not satisfy a desire to have one's art be known.

Despite what I've said, I don't happen to think that a life in the arts that isn't rewarded with huge success is a disaster, or even a major problem. And I don't say that because many of the writers and artists I admire for various reasons failed to have the kind of success the world admires and never met up with a black swan until after death, when it was a bit too late to enjoy the sound of those beating wings. I say it in part because I think being a part of the building-up of culture is a noble thing. It's a selfless thing, far away from the "self-esteem" school movement of recent years, far away from the me-focus of "follow your bliss" as it is commonly understood. We ought to admire it, though I don't think we do, at least in this country. Without the lives of the sea's tiniest residents, how can there be great whales? Without mice, how can we have eagles?

Entirely aside from success, the process of making art has its own rewards and pleasures, even if the artist is a Dickinson who knows few others involved in the arts or a Herbert, immured in the countryside, or a Melville, forgotten in old age but still not letting go of the thread of narrative. But what is a problem is this pernicious, me-focused "follow your bliss" myth that trips up so many, in and out of the arts. So don't think about following bliss. Think about becoming good at something . . .

Tuesday, January 01, 2013

Salmagundi for the New Year

LISTEN TO A CASSANDRA?

Thanks to Beth Adams (editor, publisher, writer, artist!) of The Cassandra Pages for listing a novel of mine among her favorites of 2012: "Particular standouts written by friends included Marly Youmans' evocative and poignant novel of an orphan boy-turned-hobo in the depression-era South, A Death at the White Camellia Orphanage. The whole list and discussion is worth a look.

LAST CHANCES: VAL/ORSON

Val/Orson appeared in several hardcover editions, one of which was quite limited and rather expensive. That one, the jacketed hardcover, is still in print. Originally priced at £24.99, the remaining copies are now on sale at £7.99. It was, by the by, editor John Wilson's Book of the Year at Books and Culture Magazine.

YEATS, I LOVE

Stauffer:  "Yeats believed in courage. His commitment to life was as unequivocal as it can ever be in a poet. there was no room in his living for world-weariness, and everyone has noted the miraculously increasing youth and vigor in his writings as he grew older. It is as if life for him were a heady drink, and long quaffing could only increase the frenzy and the Dionysian affirmation." The Golden Nightingale, p. 18.

"Poetry delights us as a manifestation of energy." p. 81

MISSED THE MAYAN MAYDAY MELEE?

For those craving the apocalyptic: Thaliad in all its frabjous beauty, with art by Clive Hicks-Jenkins and design by Beth Adams. Paperback and limited edition paperback links summed up here.

NOTE TO BOOK FOLK IN 2012

This year has got to be the year to banish the horrid view of book as product. Stacks of boxes of Brillo pads. Even painted Warholian stacks of Brillo boxes. Enough!

NOTE TO SELF AND BEES

"Like the bees, [the artists] must put their lives into the sting they give." -Emerson

HOPEFUL THOUGHT FOR A NEW YEAR

George Herbert: "Do not wait; the time will never be 'just right.' Start where you stand, and work with whatever tools you may have at your command, and better tools will be found as you go along."