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Showing posts with label Emily Dickinson. Show all posts
Showing posts with label Emily Dickinson. Show all posts

Wednesday, April 06, 2016

Never shave a cat until May and other morning thoughts

The problem for a woman in contemplating how she feels so very out of sorts with her own time is knowing that in order to succeed in any other time, she would have had to be a man of a certain class, and also to possess a certain amount of luck in escaping bacteria and viruses. Maybe she doesn't want to be a man, despite the helpfulness of the right body parts in most eras. And maybe she doesn't have a time machine, anyway.

*

I'm grateful to Dickinson for staying home and for avoiding publication and the tidying-up of her work to fit the times. How terrible it would have been to have had the sharp edges ground down. How terrible to have a Mrs. Emily Dickinson Somebody who died in childbirth and never reached the ecstatic heights of later years.

*

When I woke up this morning, I read John Simon's post on rhyme, which I recommend to anyone interested in the subject. He left out the crazy freedom of rhyme, though, and I find that people generally do leave out rhyme as way to freedom. Following rhyme is like swinging out on a trapeze bar with the choice of innumerable other flying trapezes to grab--at its best, the chosen one will sail the poet away into new thoughts and new places never dreamed in free or blank verse philosophies.

*

The last steps before sending out a manuscript are the easiest and the hardest. The writer already feels done with the book after grinding through it many times, and so it's hard to push through one more time to check for errors introduced in revision and small, overlooked problems. No book has ever matched the fire in the head (though I suppose a downright narcissist might believe in that burning achievement), so a final read is inevitably a mixture of pleasure and pain.

*
I shaved the blue persian for spring but now it is winter again, and the poor Puffcat is chilled. Meanwhile, Theodora, the long-haired calico with prodigious whiskers, knows a shaved cat is wrong and bites her. Now the Puffcat spends all day on my bed, curled in the down coverlet, or else pressed close to a little radiator. Theodora hisses and spits, still indignant, and bounces out of the bedroom. The Puffcat is now a quarter of her former size. She seldom moves from her nest in the coverlet, and I wonder if she is, in fact, dying. She does, after all, have a heart murmur. Or is she just cold? She has always been a cat of little brain (though her heart is full of love) with a liking for sleep. I feel a bit guilty. Never shave a cat until May.

Saturday, November 29, 2014

Next up: reading at The Village Library of Cooperstown. And a pail of snow. So wash your face in crystal...



Just 'cause: end-of-November ice. And slippery snow. And snowmen. Because Yankeedom in winter. Because fire. Because cats. Because poetry. Because Emily. Also Paul Tree (leafy Facebook alias) aka Paul Digby, who made this. (And because nobody should be allowed to take off Emily Dickinson's clothes.)

* * * * *

Comments and review clips HERE


Reading from Glimmerglass, 
Q and A afterward...

Nights at the Round Table series

Village Library of Cooperstown
Cooperstown New York

3 December 2014
Wednesday
7:00 p.m.


I know of no writers other than Marly Youmans who have the genius to combine the spine-tingling suspense of Gothic storytelling with the immense charm, grace, glamour, realism, and simplicity of Hawthorne. Glimmerglass does more than shimmer and grip; it entertains and hypnotizes. Youmans, one of the biggest secrets of contemporary American fiction, writes with freshness and beauty. Whether she’s writing historical fiction or fantasy, her characters leave one breathless. Her ability to describe a person, a place, or the psychological underpinnings of a plot or individual, ranks with the great novelists, the highest literature. A tale of love and intrigue, mystery and pathology, Glimmerglass’ appeal is the warmth and charge of a tale told round a fire fused by Hitchcockian anxiety, empathy, and relief. Nature, architecture, dread, thrill, sexual dilemma, and murder echo against Youmans’ gorgeous prose and terrifying romance, which glides like a serpent―without a single extraneous or boring word. Youmans is my favorite storyteller. I come back to her as if to a holy well.  --Jeffery Beam, award-winning poet of The Broken Flower, Gospel Earth, and many more books

Tuesday, August 19, 2014

Wordsmith, rest in peace--

James Foley, truth-teller, wordsmith
*
* * *
Beautiful, sensitive face photographed by Steven Senne/AP
*
Remembering Daniel Pearl
and all those held by ISIS and others.
*
"We ask for your prayers for Jim and his family." GlobalPost
Addendum: in his own words
* * *
The Committee to Protect Journalists estimates 
that there are about 20 journalists missing in Syria, 
many of them held by ISIS. -CNN

* * *
I died for beauty, but was scarce 
Adjusted in the tomb, 
When one who died for truth was lain 
In an adjoining room. 

He questioned softly why I failed? 
"For beauty," I replied. 
"And I for truth - the two are one; 
We brethren are," he said. 

And so, as kinsmen met a-night, 
We talked between the rooms, 
Until the moss had reached our lips, 
And covered up our names.

--Emily Dickinson


* * *


The third section of "In Memory of W. B. Yeats" 
recurs to me so often now--sometimes daily.

* * *

Journalist James Foley disappeared in northwest Syria on Thanksgiving Day, November 22 2012. Jim is the oldest of five children. He has reported independently and objectively from the Middle East for the past five years. Prior to his work as a journalist, Jim helped empower disadvantaged individuals as a teacher and mentor assisting them in improving their lives.

A beautiful, good, and true life is a light to us all. 

Thursday, February 27, 2014

Don't follow your bliss--

William Blake, "The Genius of Shakespeare"
The idea of "following your bliss" seems to have successfully invaded all precincts of our world. I seem to meet it everywhere online, but I don't approve of its sentimentality, smarminess, and false illusions. No doubt I have mentioned it before. But my mentioning it hasn't stopped the flood of bliss-advocators. I'm like the little boy with his thumb in the dike, except that I'm not going to freeze to death (unless I go and stand in my Yankee back yard for an hour or so and tell the birds about the need to ignore the popular version of Joseph Campbell. But since they're making music with joy without any worry, I probably don't need to make that sacrifice.) Here are some stray quotes celebrated by friends and snitched from social media:
Find your passion, say 'no' to anything that is a waste of time and keep on going. Focus on what you love. --Rebeca Plantier 
If you follow your bliss, you put yourself on a kind of track that has been there all the while, waiting for you, and the life that you ought to be living is the one you are living. Wherever you are—if you are following your bliss, you are enjoying that refreshment, that life within you, all the time. --Joseph Campbell 
I have quite mixed thoughts about this sort of recommendation. On one hand, I had an overweening, intense passion to read and then read and write as a child--fine, I've followed it, made lots of large sacrifices because of it. I gave up achieved tenure and promotion, dropped out of the helpful-to-a-writer academic machine, and in general slept less and had less of what people call fun than others because I wanted to pursue the glimmering goal of art. And I don't regret any of that because I still have a fire to make stories and poems. That's my kind of fun, a deeper and more curious pleasure than most. I'm grateful that I've been able to have so much of it, thanks to my own obsessive nature and a husband who likes to cook.

Did a black swan land on my head as a result of my fire to create? No. Do I expect to hear the whirring of wings at my back? No, not unless it's the whirring of Marvell's "time's wingèd chariot." Yes, that could be what I hear... Would I be glad if a black swan dropped in for a visit? Sure. I love readers, and a work is completed each time it is read.

(Missed the black swan theory? In the words of Wikipedia, "The black swan theory or theory of black swan events is a metaphor that describes an event that comes as a surprise, has a major effect, and is often inappropriately rationalized after the fact with the benefit of hindsight." A theory laid out by Nassim Nicholas Taleb, it was picked up and refined for writers by the Grumpy Old Bookman, whose writings on the scalding truth about the role of luck in the writing world had been an inspiration to Taleb. In literary terms, what happens when a book is anointed as lead book by a publisher and then shoved into the public's face is a bit of a black swan. The amazing success that overtook Jo Rowling's Potter books is a gigantic, morbidly-obese black swan. Black swan literary success, then, comes as a surprise, may have a huge effect, and is rationalized by people afterward.)

I know a lot of people who just don't fit that popularized, overly-sweet image of the hero following his bliss. (Here I should note that I have found Campbell's ideas about the hero's journey to be interesting, particularly when I am thinking about stories, which have a lot to say about human life but are not the same. If they were, they would be human life.) Some of the people who don't fit the pattern are people without a passion. And some of them are people who did or do have a passion.

Take the people I know who did not have a passion, who fell into something and became very good at it. I don't think that's a problem. In fact, I think it's great. We don't all have to chase a muse through hollow lands and hilly lands. I believe that becoming very good at something is plain old satisfying. A simple goal of becoming good at something is a better goal for a lot of people. It's not a little goal, either; it's a large, worthy one. The satisfaction that comes from slow accomplishment and a degree of mastery is highly underrated.

Here's a dramatic example: I have a friend who was a successful concert pianist, touring nationally. At some point, he felt that he would never be of the very highest rank, and that he simply didn't like the loneliness of the life. He dropped out and went back to school and eventually became a physician at a teaching hospital, where he is a different, more familiar sort of success and has plenty of people contact that eliminates the solitude of the single life. A smart man, he had been following his bliss and doing quite well in worldly terms. But bliss turned out to be less satisfying than the original advertisement. It didn't fit his life well. So he went through new training and became good at something else, something very different. I admire the strength of mind that made him quit one pursuit and set out on another path--a path that was not his bliss.

The popular "follow your bliss" goal is a sentimental mirage that has harmed others I know, particularly in the arts. The concept is supposed to lead the hero upward to heroic success. It's intended to be more than an internal journey. Anyway, people tend to be unsatisfied by being Hawthorne's secret artist of the beautiful. It's that pesky old human nature, never content! I know people who were unable to handle their lack of worldly success in the whimsical world of the arts, unable to come to terms with the way of the world and accept that there's an awful lot of luck in what happens, and that black swans don't plop down on most people's heads. Even though lack of success diminished and in some cases spoiled their affection for a pursuit, they were unable to change course and find another goal. I'm not sure what the answer would have been for these people, aside from an earlier understanding of the ways of the world (hard in an era that forces self-esteem down children's throats) and a clue that "follow your bliss" is an often-delusional path that may lead to a place that does not satisfy a desire to have one's art be known.

Despite what I've said, I don't happen to think that a life in the arts that isn't rewarded with huge success is a disaster, or even a major problem. And I don't say that because many of the writers and artists I admire for various reasons failed to have the kind of success the world admires and never met up with a black swan until after death, when it was a bit too late to enjoy the sound of those beating wings. I say it in part because I think being a part of the building-up of culture is a noble thing. It's a selfless thing, far away from the "self-esteem" school movement of recent years, far away from the me-focus of "follow your bliss" as it is commonly understood. We ought to admire it, though I don't think we do, at least in this country. Without the lives of the sea's tiniest residents, how can there be great whales? Without mice, how can we have eagles?

Entirely aside from success, the process of making art has its own rewards and pleasures, even if the artist is a Dickinson who knows few others involved in the arts or a Herbert, immured in the countryside, or a Melville, forgotten in old age but still not letting go of the thread of narrative. But what is a problem is this pernicious, me-focused "follow your bliss" myth that trips up so many, in and out of the arts. So don't think about following bliss. Think about becoming good at something . . .

Monday, June 10, 2013

Sendakian

I rose at 5:30 with Maurice Sendak on my mind. Now I realize it is his birthday. I am very glad Sendak was born and wielded his gift with such gaiety and care, and that he spoke so forcefully (and often grumpily) about his life and times.

So I rooted around, trying to find a quote I remembered about there being only good and bad books--none of this genre and "kinds" nonsense! (Probably it's somewhere in the depths of the blog, too.) And I didn't find it, but did reread some lines that I love.

Here are a few celebratory quotes about his friends in the realm of dead artists and living arts, the place where he belongs:
When Mozart is playing in my room, I am in conjunction with something I can't explain... I don't need to. I know that if there's a purpose for life, it was for me to hear Mozart.

I have a little tiny Emily Dickinson so big that I carry in my pocket everywhere. And you just read three poems of Emily. She is so brave. She is so strong. She is such a sexy, passionate, little woman. I feel better.

[On Melville.] There's a mystery there, a clue, a nut, a bolt, and if I put it together, I find me.
Something I can't explain. 
Bravery. 
Strength and passion.
Mystery. 

Sunday, March 27, 2011

"A Fire in Ice" from THE THRONE OF PSYCHE



Thanks to anyone who views or chooses to share this video created by Paul Digby. Here is the youtube link, which gives a larger, sharper picture plus embedding code:

http://www.youtube.com/watch?v=s7ENdppiaCY


"A Fire in Ice" is a riposte to a poem by Billy Collins, "Taking off Emily Dickinson's Clothes."

THE THRONE OF PSYCHE shipped from the mill on Friday. It is now available for pre-order and will be shipping from Mercer University Press soon.