Last night several of my children were spending the night, and my daughter was cold in her room; I turned up the heat and about six in the morning had the most intricate writer's nightmare. I dreamed that I was young and in a class with John Gardner. (Why? The only person I know who has talked at length about what John Gardner meant to him as a teacher is Jeffrey Ford, so I don't know a lot about Gardner as a teacher other than what Jeff has said. And certainly not whether Gardner had an affinity to cats...)
We were to discuss a story called "Birthday." It seems we were at Brown, in a classroom in a nineteenth-century house. Gardner was seated behind a bullet-gray metal desk; he became threatening to the class as time passed, and kept opening the top right drawer in a way that made people uneasy. They seemed to feel that he might soon brandish a weapon. But I was sitting beside and oddly near the desk and kept craning to see what was inside. Neatly arranged boxes full of brightly colored pushpins, round-headed short pins, and other small shapes filled the drawer. It looked rather like some Modernist mosaic, but more complicated.
People began to get up and leave. Soon police surrounded the building. I was trying to comfort Gardner, who at some point (understandably so) transformed himself into a cat (a pleasant-looking Tenniel gray tiger) and curled up in what must have been the desire to protect himself from the world. I held him in my arms close to my face, and though he scratched at me several times in agitation, he did not attempt to flee away from me and hide. A single remaining classmate tried to call for help.
Noises came from below; perhaps some sort of rescue was beginning, but it made me strangely uneasy. I got up and began climbing upward through the house and took refuge on what I believe was the third floor, the cat still in my arms close to my face. I opened a closet and crept inside to lie down, my head and torso and the cat inside its shelter.
Robots were combing the house, spraying pesticide. The remaining classmate tried to call her mother on her cell phone, but could not get through. (Perhaps because there were no cell phones when Gardner was alive?) After a while, she lay down on the floor of the room and did not stir. The house was full of the stink of pesticide.
I told the cat a secret, that today was really and truly my birthday. Gardner-cat seemed quite interested and stirred and nosed at me, but of course he was a cat now, and not a talking Cheshire cat, so I was glad that he understood but knew that he could not tell me what moved in his mind.
A lady robot, also gun-metal gray but with shocking-pink eyes chartreuse neon hair, entered the room and began spraying the corners of the room. She rolled to the closet and began spraying the cat in my arms and me. Being a writer and a dreamer to boot, I was able to change my point of view to a more limited omniscient view and see the death of cat-Gardner and girl from above. A few classmates filtered into the building later on and announced (though ineffectually) their displeasure at what had happened. The room stank of cat piss. The girl and cat were still dead, but it was a sunny day without robots, though yellow tape and policemen were still outside.
Seek Giacometti’s “The Palace at 4 a.m.” Go back two hours. See towers and curtain walls of matchsticks, marble, marbles, light, cloud at stasis. Walk in. The beggar queen is dreaming on her throne of words… You have arrived at the web home of Marly Youmans, maker of novels, poems, and stories, as well as the occasional fantasy. D. G. Myers: "A writer who has more resolutely stood her ground against the tide of literary fashion would be difficult to name."
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Showing posts with label Jeffrey Ford. Show all posts
Showing posts with label Jeffrey Ford. Show all posts
Tuesday, December 10, 2019
Monday, April 06, 2009
Val/Orson, coming in early May
"The spirit of the forest is alive in the beautiful writing of Marly Youmans' Val/Orson; a compelling legend of romance and mystery both ancient and modern at once." --Jeffrey Ford"Incendiary, passionate writing propels Val/Orson, an utterly fearless story that takes chances and passes that test brilliantly. Brave, beautiful, and fey." --Jeff Vandermeer
"What a gorgeous tale! I'm always delighted to read a new work by Marly Youmans, and Val/Orson both enchants and satisfies: it is a combination of myth, Shakespeare, and modern environmentalism, with not a little magic thrown into the mixture, written in prose as lush as it is precise. A treat for anyone who loves fantasy or just a tale well told." --Theodora Goss
Editions & how to order...
Jacketed hardcover limited edition (200) A handsome cloth edition signed by Marly Youmans and the writer of the introduction, Catherynne M. Valente, with jacket image by Clive Hicks-Jenkins and interior by novelist-designer Robert Wexler. Click on the image above to see the jacket in full. A larger run is the unjacketed limited edition (500) signed by Marly.
P. S. Publishing "flap copy,"
with special thanks
to Philip Lee Williams
and Robbie Mayes:
Inspired by the French medieval tale Valentine and Orson, this moving, insightful novella from award-winning author Marly Youmans reclaims a 500-year-old epic for contemporary readers.
Through the dazzling double-story of a stolen twin and the secrets of an ancient forest, Youmans roams also among the sweet spirits of Shakespeare’s romance plays.
Val/Orson opens with Val long saddened at the loss of his stolen twin brother. He has grown up in the California forest, climbing mysterious redwoods and finding his greatest pleasure in a landscape that seems alive. And sorrow for his lost sibling—his double—haunts his walks.
From boyhood, he has worked with all his intelligence and strength to save the ancient trees. Now Val's world is increasingly populated by environmentalists, sometimes dangerously radical, sometimes merely idealistic, and further shaded in connection with the disappearance of a particularly bewitching tree-sitter--a woman who has both captivated and confused him.
“I fear seeing a luminous being crouched by the hearth, ready to swing its intense light-drenched gaze toward me. I fear that I’ll never grasp the terms of my own damnation or what happened to the woman I knew only by the name of Diamond . . .”
Did she die in her wanderings? Is she still in the deep forest with her lover, mocking Val? As he searches for his lost twin, he must find out.
The sequoia groves are the stage where a company of figures worthy of a Renaissance “winter’s tale” (Fergus, the Sherwood band of tree-sitters, grief-shaded Bella with her wild inheritance, Clere, and mysterious others who seem close by, half-hidden in trees) engage, entertain, and challenge Val. As their stories mesh and unwind, they lure Val deeper into the rich complexity of their narratives and toward revelation. And as the mystery in Marly Youmans’ magical world intensifies, Val moves from revelation to a stunning transformation as son, brother, lover, and steward of the wildwood.
P. S.
I've enjoyed working with publisher Pete Crowther and editor Nick Gevers. I find that it's sweet to be asked for a manuscript and a pleasure to work with a smaller house. I recommend it!
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