TONIGHT, reading with NCLR

TONIGHT: reading "She-Who-Changed," "Night-blooming Cereus," "Spring Tree Egg," and "Alice" with @NCLitReview "North Carolina Literary Review"... at 7:00. (Just realized. Eep! So please share...) https://us06web.zoom.us/j/82425514581

Judged and judging...

As I have been the around-the-clock caretaker of my elderly mother for some time, I'm way, way behind on all things literary or bloggish... But here are a couple of pieces of news.

Sheryl Knight, Aspen Hollow

Michael Fitzpatrick's The Eighth Day essay

I'm so pleased with this marvelous, wise review of Charis in the World of Wonders. So lovely to have such an insightful essay, two years after pandemic publication! There are many things in it that hit the mark of what I tried to do when entering into a character of another era, foreign to the cultural ways of our own. If you have an interest in what I'm up to when diving into another world, please read the whole thing. It's wonderfully thoughtful.

Sample clips to entice

Poet and novelist Marly Youmans’ latest novel is a treasure. You may know her for her dazzling ability to channel lush lyrics that can feel utterly authentic to the intended epoch (especially her epic poem Thaliad). Her prose extends her gifts of language; Charis and the World of Wonders feels as if someone found a 17th-century diary and transcribed it. Youmans’ book is a gem of cultural curiosity, an Anglican-turned-Orthodox author attempting to explore Puritan New England in 1690 through the eyes of Charis, a remarkable young lady with a fertile imagination, sumptuous narrative voice, and an authentic faith lived out in a harsh world. This is where Youmans’ novel is its strongest: presenting a life of faith not as an add-on to an otherwise secular existence, but as the entire horizon and interpretive lens through which Charis understands the events that happen to her and how she should navigate through them.

  . . .

There are so many wonders in this novel—from references to Anne Bradstreet’s poetry to the deliciously archaic diction, and, most notably, Charis’ irrepressible spirit. Like Marilynne Robinson’s Gilead, Marly Youmans’ latest novel does not shy away from weightier themes, including the struggle of finding God’s love in a world of unchecked evil and pride.

But perhaps the most timely aspect of this novel is its foreignness. Every page assumes a background and manifests a foreground in utter contrast to the post-nuclear, post-computer age we take for granted.

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Thanks to Michael Fitzpatrick for a beautiful essay...

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Another judging stint: Young Poets' Prize from Kelsay Books

Kelsay Books is excited to announce a new poetry book contest: the 2022 Young Poets’ Prize! See below for the guidelines. If you have any questions, please send them to jenna.kelsaybooks@gmail.com.

PRIZE

First place receives:

· $500.00 (USD)

· a publishing contract with Kelsay Books

· 50 free copies of the winning book

· the opportunity to be a featured reader at Kelsay Books’ December Zoom reading

Second place receives:

· $200.00 (USD)

· a publishing contract with Kelsay Books

· 25 free copies of the second-place published book

Third place receives:

· a publishing contract with Kelsay Books

· 25 free copies of their third-place Kelsay-published book

Seven Honorable mentions each receive:

· a publishing contract with Kelsay Books

SUBMISSION DEADLINE

· Submissions received from March 17 to June 15, 2022 will be considered for the contest.

· Submissions received outside those dates are ineligible for the contest.

ELIGIBLE POETS

Young poets (18-to 30-years-old in 2022) are eligible to submit.

Emerging and established poets are welcome to submit.

MANUSCRIPT GUIDELINES

· Entries must contain only poetry. (No prose except prose poems.)

· All poetry styles are welcome (including metrical, free verse, and hybrid poetry).

· Each poem must appear on its own page.

· Acknowledgments may be included in the manuscript but are not required.

· Entries must be 30 to 120 pages.

· Individual poems and chapbook-length sections may have been previously published if the publisher gives reprint permission. (Still, more than one-quarter of the manuscript must not have been previously published in a book form.)

· Since the entries will be blindly judged, the author’s name and identifying information should appear ONLY in the cover letter file, not in the manuscript attachment.

· Include in your cover letter only:

· The title of your manuscript

· A brief bio

· Your name

· Your address

· Phone number

· Email address

· Entries that do not follow these guidelines are ineligible for the contest.

How to Enter

To enter

Upload your submission file at Submittable in the upload field. (Accepted formats are: PDF.)

Only attach two files. One with your poetry (30 to 120 pages), and one with the cover letter prepared as described in the section above.

Simultaneous submissions are not accepted

Unlimited entries per person are accepted. If you wish to enter more than once, then a separate submission form and entry fee must be included for each entry.

Include an entry fee.

$22.00 per submission. Use Submittable and make payment here.

To enable us to match your payment to your entry, be sure to indicate the name you entered in your manuscript (i.e. your pen name) if it’s different from the one under which the payment was made.

The entry fee is nonrefundable. Withdrawn submissions and ineligible submissions will not receive a refunded entry fee.

Entries will be blindly judged by Marly Youmans.

A native of South Carolina, Marly Youmans is the author of fifteen books--poetry collections, a book-length blank verse poem, novels, and several fantasies set in the Blue Ridge. She has lived for more than the last two decades in the fantastical lakeside village of Cooperstown, New York, home to castles, semi-fictional sites colored by the stories of James Fenimore Cooper, and ghosts.

Marly Youmans has long been what editor John Wilson called Youmans, "the best-kept secret among contemporary American writers." In First Things, he described her as "a novelist and poet out of sync with the times but in tune with the ages." Novelist Sebastien Doubinsky says, "I cannot recommend an author more than Marly Youmans, whose fantastic prose is absolutely gorgeous & haunting." Greg Langley, former Books Editor of the Baton Rouge Advocate, writes: "Youmans is a writer of rare ability whose works will one day be studied by serious students of poetry."  She has won many awards, including The Michael Shaara Award, The Ferrol Sams Award, Hoepfner Awards, Pushcart and Best of the Net nominations, and the Silver Award of ForeWord BOTYA.

She has collaborated with artists in various fields, and six of her books have been illuminated throughout and given gorgeous covers by outstanding Welsh painter Clive Hicks-Jenkins. 

This quirky life of ours: Hambleton on Catherwood

                             

Catalogue listing: 

Artist: Richard Hambleton 

Technique: Ink paper

Richard Hambleton- "Shadow Man Head" Draw on a book page from "Catherwood- Marly Youmans" - This Rare work is Marker on a book page . Page size measures 8. 25" x 5" inches. Signed and dated 2015 as shown. Comes with a Hand written COA from Robert Murphy and a COA from Dirtypilot. Provenance: Collection of Robert Murphy. 

Catalogue listing and image from: https://www.lot-art.com/auction-lots/Richard-Hambleton-Shadow-head/56396955-richard_hambleton-06.3.22-catawiki

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I've been a bit too busy to keep up with blog or social media, but this little oddity is worth a moment of notice... The ink drawing was done the year Hambleton died.

Here's a description of the artist from https://www.richardhambletonofficial.com/:

Richard Hambleton (June 23, 1952 - October 29, 2017) is a Canadian born artist known as The Godfather of Street Art. 

Hambleton’s early work includes a public art series called Mass Murder (1976 - 1978) in which he painted “chalk” outlines around the bodies of volunteer “homicide victims” in public places. Finished with a splash of red paint, these works gave the viewer the impression of a realistic crime scene. After creating roughly 15 of these works around New York, he continued using the city as his canvas for his second street art collection and most notable work - the Shadowman (1980).

Predating Banksy by more than a decade, the late Richard Hambleton sparked the street art movement in 1980’s New York, alongside renowned contemporary artists such as Jean-Michele Basquiat and Keith Haring. His strategically placed paintings of hundreds of looming, shadow figures could be seen all over Manhattan's public walls.

Hambleton’s work was shown at international exhibits and his art continues to be widely celebrated. In April 2017, a documentary following Hambleton’s rise to success and devotion to painting premiered at the Tribeca Film Festival. The artist died of cancer at age 65 just six months later.

New mag, live reading TODAY!

UPDATE ON THE READING

Okay, tonight's Zoom reading announcement (with links) is up--again, that's Pacific Standard Time 7:30, so check the time converter! With Jorge Quintana. https://sacpoetrycenter.org/event/socially-distant-verse-with-marly-youmans-and-jorge-quintana/

FEATURED READER, SACRAMENTO POETRY CENTER 

ZOOM reading Monday the 17th

Tomorrow I am scheduled for an online reading, but the information is not up yet. Here's what I have so far--zoom link, i.d., and password. I will add more about the second reader etc. when I have more.

PICK YOUR TIME

7:30pm Pacific Standard Time / Online only

That would be 10:30 Eastern Standard Time. 

And here's a time converter-around-the-world: https://savvytime.com/converter

ZOOM INFO

Zoom link: https://us02web.zoom.us/j/7638733462

Meeting ID: 763 873 3462 

password: r3trnofsdv

PULSEBEAT

Clip from editor David Stephenson:

Welcome to the first issue of Pulsebeat.  I was pleased with the response to my call for submissions; I received a large number of enjoyable poems from a variety of accomplished poets, including some actual musicians.   It was exciting to see new submissions appear in the inbox like presents tied with bows.  I’ve very grateful to everyone who sent me their poetry.

My poem, "A Child in Snow and Sleep," is HERE.  But read the whole thing--lots of poems by interesting writers.

Charisean, Clivean, and poems!

Yellow Hen and Sunflowers. 2021. Oil, gouache and pencil on panel. 
All paintings from the current
Clive Hicks-Jenkins series...

CHARIS, CLIVE, SUSSEX, MORE!

Clive Hicks-Jenkins made chapter headings and the cover of Charis in the World of Wonders. Then the chapter headings became a cunning line of plates, cups, bowls, teapots, etc. from Sussex Lustreware! And now Clive has made a whole series of paintings featuring the Sussex Lustreware with Charis chapter headings. 

Next up, I'm expecting wallpaper, fabric, everything in the world to be Charisean and Clivean! He is such a clever fellow...

Swan and Snail, 2021
Oil, gouache and pencil on panel.

CHARIS IN THE WORLD OF WONDERS

HERE's an extended review of Charis in the World of Wonders by a retired English teacher, posting at the Science Fiction and Fantasy Chronicles Community Forum. 

Clip: "People today are regrettably predisposed to assume they know all they need to know about the people of Marly Youmans's novel. They may enjoy the fresh air that will blow through their minds when they read this accomplished novel."

This painting has a Sussex "Loyal Friend" mug
nestled into a toy theatre
by Jim Pilston.

WILLOWS WEPT

Had lots of lovely feedback on "Birds and Lilies in Rugosa Canes" (poem.) It's on p. 44, but you can flip through and read the whole magazine HERE.

I'll have to nab the title from Clive later--
don't see it with the facebook image.

EKSTASIS

"The Curtal Candlelight at Tenebrae" (poem) can be found by flying HERE.

This one has garnered lots of gorgeous comments here and there, but I think my favorite might be this: 

FIRST THINGS

And if you missed "Starting with a Sentence by Aidan Hart" at First Things, pop over HERE to read. I love Aidan Hart's book on icons and much more, Beauty Spirit Matter. This poem also found a lot of readers and commenters--a thing which I appreciate so much.

                                                        Cockerel and Lustreware Teapot. 2021

Oil, gouache and pencil on panel.