Directions to the Palace: Seek out Giacometti’s “The Palace at 4 a.m.” Go back precisely two hours. See towers and curtain walls of matchsticks, marble, marbles, light, cloud at stasis. Walk in. The beggar queen is dreaming on her throne of words… Welcome. You have arrived at the web home of Marly Youmans, maker of novels, poetry collections, and stories, as well as the occasional fantasy for younger readers.
Clive Hicks-Jenkins is having a printmaker create a risograph version of the cover of "Thaliad." This idea sprang from the Artlog and the enthusiasm of Clive's followers for the cover image. The prints will look a bit different from the original but have something of the handmade quality of its collage of painted paper. As Clive has not yet determined on a size for the edition--though he is thinking of a small number of prints--requests will probably influence him.
A Risograph is a stencil printer, and I recently discovered exciting images being produced by the Risograph method at Ditto Press in London, where interesting artists and clients flock to work with an enthusiastic team of artist/printmakers. I’ve been collaborating with Ben, who has been deconstructing the cover artwork of Thaliad in order to remake it as a Risograph print. The above image is a screenshot of the artwork remade in six separate colour plates: yellow, green, black, orange, ‘federal’ blue and bright red.
The result of this collaboration will not be a print that reproduces the collage in the way of giclee or photo-lithography. The Risograph print honours the original artwork while showing evidence of the stencilling technique combined with the judgement calls of the print-maker at every stage of the process. The stencilling inks won’t attempt to reproduce the colours of the original, but will create their own versions of them to produce a print that is a fresh and craftsman-made object rather than a standardised commercial reproduction. It’s a technique that utilises modern technology, though the results have a slightly naive quality, with the colours fresh and jewel-like. And of course, it will enable me to offer for sale, print-versions of the original artwork, without going the way of a giclee.